Partimento and Continuo Playing in Theory and in Practice - Collected Writings of the Orpheus Institute - Thomas Christensen - Boeken - Leuven University Press - 9789058678287 - 17 juni 2010
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Partimento and Continuo Playing in Theory and in Practice - Collected Writings of the Orpheus Institute 1e uitgave

Thomas Christensen

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Partimento and Continuo Playing in Theory and in Practice - Collected Writings of the Orpheus Institute 1e uitgave

This volume reflects a multidisciplinary approach, with the accent on the interplay between music performance and music theory. Thomas Christensen, in his contribution, shows how the development of tonal harmonic theory went hand in hand with the practice of thoroughbass. Both Robert Gjerdingen and Giorgio Sanguinetti focus on the Neapolitan tradition of partimento. Gjerdingen addresses the relation between the realization of partimenti and contrapuntal thinking, illustrated by examples of contrapuntal imitation and combination in partimenti, leading to the "partimentofugue." Sanguinetti elaborates on the history of this partimentofugue from the early eighteenth until the late nineteenth century. Rudolf Lutz, finally, presents his use of partimenti in educational practice, giving examples of how reviving this old practice can give new insights to composers, conductors, and musicians.


136 pages, some Illustrations, music

Media Boeken     Paperback Book   (Boek met zachte kaft en gelijmde rug)
Vrijgegeven 17 juni 2010
ISBN13 9789058678287
Uitgevers Leuven University Press
Pagina's 136
Afmetingen 234 × 159 × 9 mm   ·   224 g
Taal en grammatica Engels  
Uitgever Moelants, Dirk

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